"Tros Loas" by Prosper Pierre-Louis, 1995

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Wednesday, January 12, 2011

The Artists of Grand Rue

ATIS-REZISTANS | THE SCULPTORS OF GRAND RUE | Film by Leah Gordon from GLORIAMARIA gallery on Vimeo.


I posted a portion of this documentary over the summer, but Megan was fortunate enough to find the whole thing on vimeo. A wonderful in-depth look into inspiration and lifestyle of contemporary Haitian artists.

And yes, those are real skulls.

Tuesday, January 11, 2011

Yon Ane


"One refugee camp was built in a car dealership parking lot." Damon Winter, The New York Times

At 4:53 pm today, Haitians paused for a moment of silence to commemorate the first anniversary of the January 12 earthquake that killed over 200,000 people and left 2 million homeless. After this pause, Haitians will resume whatever they were doing; some will go back to their jobs, or their schools.

But most will go back to doing absolutely nothing.

Tonight PBS ran three specials to mark the anniversary of the earthquake. The first deals with the science of accurately predicting earthquakes, and what little progress has been made in achieving that goal over the past 50 years. It was more or less a standard Nova episode, although one quote stood out to me: "Earthquakes don't kill people. Buildings do."

"The Supreme Court building was largely ignored as it burned after the earthquake" - Damon Winter, The New York Times

The second program (which you can watch in its entirety here) focuses on the rule of law in Haiti after the earthquake. On Jan 12, over 4,000 prisoners in Haiti's national penitentiary escaped and have assimilated themselves into the loosely organized DP camps where the majority of those affected by the quake now live. These escaped thieves, rapists and murderers now impose their own martial law over the homeless majority. What's even more affecting to watch is the broken and ineffective Haitian police force raiding areas, arresting 50 people at a time, only to hold two or three suspects based on an informant's memory. The episode reveals that the Haitian political structure is as much a gang as the gangsters are. As one Haitian said in the report "honest people don't go into politics in Haiti."

"A man and his son lived in a shelter on the median of a road in Carrefour, a suburb of Port-au-Prince," Ruth Fremson, New York Times

The majority of the third special was filmed before the earthquake, and follows three Haitian boys who live on the streets of Cap Haitien (the nation's second largest city). The Children of Haiti was the film that most reminded me of Ti-Jean and captured the spirit of what our production wants to say. We see Haiti through the eyes of newest generation; the generation that can lead Haiti out of destitution and into stability -- yet by the end of the film hopelessness seems to find its grip on two of the young protagonists. (The third, the idealistic Denek finds peace and hope through his new family. Sound familiar?)

Untitled acrylic, oilstick and spray paint on canvas painting, Jean-Michel Basquiat, 1981

All three of these programs combined have left me with new thoughts on the situation in Haiti, and ideas of how our production can best serve that situation. Since I started working on this project I've tried to fill this blog with bold, bright and idyllic images of Haitian life. I wanted to imbue this story with the spirit of the folkloric Haiti, the ancestral Haiti, the Haiti of our dreams. But the more I look at the state of the Haitian people, the more I'm convinced that the Dream Haiti doesn't exist -- is Dream Haiti just a collective ideal?


It's here that Megan's notion of the group-devil rings truest. Were 200,000 Haitians killed by an act of God or crushed under the weight of their own poverty? It seems the more I learn about the intricacies and redundancies of the self-interested relief effort, the corrupt Haitian political system and the helpless and unmotivated Haitian populace, the easier it becomes for me to lose hope for the country. Give up. Start over. Move somewhere else.

But that would be the worst indignity.

"A man walked through the rubble after finding the body of a neighbor and burning it," Todd Heisler, The New York Times

The Dream Haiti is there, buried beneath the rubble and the corruption, the crime and the cholera. You can see it in the way Denek speaks about Haiti in the beginning of the documentary. What excites me about our production NOW is that overcoming -- to look the Devil in the eye and turn his tools of destruction into construction materials: to turn the rubble into art.

That, after all, is the only way that Haiti can make a full recovery. Over the last few months, the media has slowly picked up on the corruption and insider trading of the NGOs (Non-Governmental Organizations) and various international relief efforts. The key to rebuilding Haiti (as we see in Ti-Jean) is with Haitian hands.

Damon Winter, The New York Times

As we pass the one year anniversary, we also pass another milestone; the beginning of the rehearsal process. It is with this spirit of resilience that I hope to move forward - to unite the soul with the debris and make them one.

Monday, November 15, 2010

The Future

Michael Appleton for The New York Times


This article was in the New York Times today about the state of the Haitian education system after the earthquake. What blows my mind is the challenge -- how do you take an ALREADY failing school system (and I don't mean failing by US standards; I mean failing) that barely enrolled 50% of school-age children in Haiti and rebuild its infrastructure in a country where every government facility has to be rebuilt. The challenge is mind-boggling.

This is the kind of article that I think Ti-Jean speaks to really well; the last image of the play when Ti-Jean and the Bolom walk off into the sunset together, the promise of a free Caribbean -- it is this hope that the Haitian people need in spite of the overwhelming adversity they face.

Monday, October 25, 2010

Health in Haiti

Michael Appleton for The New York Times

Hey all! It's been a while since I last posted.

If you haven't been following the news, here are some more articles about the state of post-earthquake Haiti.

The first article here deals with increasing pressures on the tent cities housing thousands of displaced and homeless Haitians to pack up and move off of the private property they are located on. There's also a beautiful slide show attached to the article.

The most pressing news from the region is the recent outbreak of Cholera throughout Haiti, which is likely to spread to the Dominican Republic. The best way to prevent the disease? Clean water and soap.

Friday, October 1, 2010

"Blue Haiti"

Shannon Freshwater

A link to an article today in the New York Times.

Monday, September 6, 2010

Gaga for Rara

I've yet to post anything about a type of Haitian music called "Rara" music. It's mentioned in the full account on the missionary's blog that I cited below in the mapou tree post.

I came across this article today in the New York Times about a recent annual Haitian celebration in Brooklyn, and they mentioned a new documentary about a Rara band in New York.

"The Other Side of the Water" web Trailer from Jeremy Robins.

So cool, right?! If you go on the documentary's website you can find a lot of other clips from the movie, including this one which I think offers a lot of insight.



While we're setting the play in Haiti, the Haitian experience in the United States is of critical import to understand if we're going to attract members of the local Haitian community to the production. I hope we can use this documentary as a way to delve deeper into the Caribbean-American experience.

Friday, August 13, 2010

Speaking of Faith

Hi all!

This is a really great resource: the Speaking of Faith website. It's a production by American Public Radio. This particular site gives a fantastic overview of Vodou for both the initiated and the layman Enjoy!